Mikey Hinchliffe
Saturday 29 January 2011
Film planning
During the last two weeks my group and i have been brainstorming ideas for our opening scene. During these two weeks we have managed to combine two story boards together and as a group solidate our final idea.
Below is the two original story boards which we have combined and scanned onto a computer. We are now underway in creating the final finshed story board and this will be our priority for the next lesson. With everything really starting to move we have decided that we will begin to film this week and start to get a feel for how everything will work. We have already been to all of our possible locations and are very happy with what we have found.
Below is the two original story boards which we have combined and scanned onto a computer. We are now underway in creating the final finshed story board and this will be our priority for the next lesson. With everything really starting to move we have decided that we will begin to film this week and start to get a feel for how everything will work. We have already been to all of our possible locations and are very happy with what we have found.
Zen opening Anaylse
Monday 24 January 2011
ANALYSIS OF THRILLER CODES AND CONVENTIONS
Dont Look Now (Nicholas Roeg,1973)
- Editing: tension and suspense are built up through editing in this thriller opening. The film cuts between shots of a couple quietly working in their sitting room and shots of their beloved daughter who is playing in the garden. When the father cuts his finger, the blood flows across a slide of a Venetian church window. The next thing we see is the child in her red coat drowning in the garden pond. Colour codes make a link between the two events and set up an enigma code.
Godfather Part ii
The Godfather part II is another film i have watched for research on thriller openings.
- What struck me most about this film opening were the music codes: it begins with a line of people walking in silence with slow music untill it is interupted by gunshot.
- Death plagues the opening scene of this film which is another major convention of thriller films. They all contain death.
- The part that inspired me the most and which we will use in our opening scene is the music. It is important to us that we create music that builds atmosphere and creates tension.
A Clockwork Orange
A Clockwork Oranage has all the contributing factors to make a great thriller. Our group has been inspired by the opening scene. The main character Alex is played by Malcolm Mcdowell is a real insprirtation for our main character in our opening scene. He has all the codes and conventions of a great thriller character. He is very strange and covered with mystery. The opning shot on alex's face and the voice over is used in our film to create a scence of mystery which is a key element of a thriller film.
Tuesday 18 January 2011
Danny Boyle's new film 127 Hours
127 HOURS is the new film from Danny Boyle, the Academy Award winning director of last year’s Best Picture, SLUMDOG MILLIONAIRE. 127 HOURS is the true story of mountain climber Aron Ralston’s (James Franco) remarkable adventure to save himself after a fallen boulder crashes on his arm and traps him in an isolated canyon in Utah.
True to form, Trainspotting / Slumdog Millionaire director Danny Boyle sets off at a cracking pace. There are some big themes here, but Boyle isn’t one to hit us over the head with sermonizing. He makes films in the cutting edge style of the times. The digital cameras here allow him to slam between microscopic views – an ant crawling over flesh – to the macro- birds eye view of the canyon.
This has inspired me to use fast moving shots to increase tension. Another technique that i am considering using due to watching this film is how Boyle used a combination micro and macroscopic to focus on different details. These shot can also symbolise isolation (macroscopic) and being crampt (microscopic).
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